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Reviews
Free Guy
Free Guy is the inevitable consequence of the success of Deadpool. Take a winning formula, maximise the budget and make it a little more...
Jungle Cruise
I remember writing a review of the Tomb Raider remake a few years ago where I loudly sounded the death knell for the adventure film as a...
The Suicide Squad
Despite the continued commercial and critical success of the genre, I just get an inkling that a crossroads is approaching for the...
Space Jam: A New Legacy
It’s important to acknowledge nostalgia as a key factor when discussing favourite movies. Like any art form, the situation surrounding...
Black Widow
I know the might of the Disney+ shows has well and truly thrust us Marvel-ites into Phase 4 but, in filmic terms, it’s nice to take a...
Another Round (Druk)
There’s a brilliant sketch in That Mitchell & Webb Look where the Illuminati explain, whilst inducting a new member, that they run the...
In The Heights
I think the musical may be the genre with the most ‘hall of fame classics’ thoroughly in the past, with nary a modern entry in sight. Ok,...
A Quiet Place Part II
I think it was whilst espousing the virtues of The Purge series that the theory arose that a solid ‘idea’ for a horror concept is...
Cruella
Isn’t it great when you see a film that delivers on the expectation, when going in you know it could have gone either way? Mad Max: Fury...
The Brighton Film Club's Albums of the Year 2020
As I mentioned yesterday in my end of year film round up, it can be tempting to write the year 2020 off as the absolute clusterf*ck it's...
The Brighton Film Club's Films of the Year 2020
As I present The Brighton Film Club’s Best Films of the Year list it’s all too tempting to slip into an inexorable rant about the state...
Bill & Ted Face The Music
“Be excellent to each other” is quite the bodacious credo and should be adorning plenty more t-shirts. Despite this, does 2020 need a...
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