top of page

Sin City: A Dame to Kill For

  • Aug 29, 2014
  • 2 min read

Updated: 2 days ago

Sin City: A Dame To Kill For is one of the most anticipated movies of the year for this writer.


The first film is way up there in my 'all time favourites' list and a solid 5 stars and, unfortunately, this instalment falls a little way off the original.


First, the good points and this film gives satisfying prequel and sequel strands to these characters.


You see early Dwight and his ties to Old Town with a marvellous Eva Green as his former femme-fatale and then you see how Nancy copes with the loss of Hartigan and her attempts to get back at big-bad Rourke.


Joseph Gordan-Levitt's Johnny is a great new addition with a perfect tragic story arc some might say is pointless but actually makes a nice Sin City vignette.


Bad points and there's a little too much gratuity in this one.


The first teases you with violence played out in silhouette and very sparse nudity which suits the comic book mood, this one has blood and lap dancers in every scene and it does get a little too much.


Eva Green never puts a shirt on which does rather diminish her otherwise feminist character and doesn't reflect too well on Frank Miller and Robert Rodriguez.


The fact that Clive Owen couldn't come back on board is also a real shame not only because it will confuse a lot of people but also because, good as Josh Brolin is as a stand in, Rodriguez feels the need to put a wig on him at one point to firmly ram home who he's supposed to be and it looks faintly ridiculous.


Also, Mi-Ho's character is changed which does jar with the overall aesthetic and world that they created with the first film.


The first did an amazing job of marrying the style with real substance, this sequel ramps the style up a notch but falls a little short on the story.


Still worth a watch though and still Sin City.


⭐️⭐️⭐️⭐️

 
 
 

Recent Posts

See All
The Odyssey

The Odyssey is every bit as epic as its source material, its ever-bubbling reputation, its box office, its aspect ratio, its ear-pummelling sound and its now legendary Director. You already know that

 
 
 
Moana (2026)

Should Disney stop this live action remake train? Critical consensus would certainly suggest so with nearly ubiquitous bad reviews, accusations of money grabbing and now, possibly, diminishing audienc

 
 
 
The Invite

You’ve got to admire a one setting, script-driven, ‘play-like’ film. The Invite is a top drawer example from Olivia Wilde and almost reinvents the classic screwball comedy for the modern era. As one c

 
 
 

Comments


 

THIS BLOG claims no credit for any images posted on this site unless otherwise noted. Images on this blog are copyright to its respectful owners. If there is an image appearing on this blog that belongs to you and do not wish for it appear on this site, please E-mail with a link to said image and it will be promptly removed.

 

© Copyright 2015 by Daniel Oldfield. Proudly created with Wix.com

bottom of page