top of page

Pitch Perfect 3

  • Jan 1, 2018
  • 2 min read

Updated: Jul 27

The first two Pitch Perfect films are exceedingly good, all-round entertainment which latched on to a growing trend and a gap in the market at the perfect time.


A more mature look at university societies than High School Musical, actually funny and with a great soundtrack.


The sequel was an inevitability and a clever way of moving the characters on from the events of the first film.


A threequel, given the success of the first two, was also an inevitability but, unfortunately, doesn't deliver anywhere near the same level of quality.


The cast all return (minus the male characters, which gives better focus on the more interesting Barden Bellas) and are, again, fantastic but the plot is happy just to hit the same beats as the first two movies without offering anything new.


As such, we start with a post-university reunion (fine) which quickly descends into a hare-brained idea to join a military tour of Europe (bizarre!) which consequently leads to another 'riff off', another 'competition' (although the underused 'Evermoist' rival band, including Ruby Rose, don't get anything to do) and, most curiously, a family drama backdrop when Amy's long-lost Father comes into play.


This leads to the last third of the film descending into a fairly good spy-movie pastiche with the Bellas kidnapped on a boat moored off the coast of France. Whether it's a good direction to steer the plot is certainly up for debate.


It's all very entertaining but far too familiar and the film decides to throw more plot at an already convoluted and unnecessary story when just spending some time with these characters (for the last time no less) would suffice.


It also suffers hugely for being, and I can't quite believe I'm typing this, a huge advertising campaign for DJ Khaled.


He plays himself (which in itself would be fine) but, for some reason, the 'winner' of the military tour 'competition' earns a support slot on an upcoming tour of his and it's utterly ridiculous. 'DJ Khaled', as a name, is the most-used word in the script and it feels wrong.


There's still some great music, good jokes and the Bellas themselves are a joy to be around but it, shamefully, falls way short of its predecessors.


A disappointing final note to what has been a stellar series.


Aca-below par.


⭐️⭐️

 
 
 

Recent Posts

See All
The Dog Stars

Sometimes you have to try and separate a film from the time in which its released. For whatever reason, we often see spurts of films within the same genre get released at the same time. From A Bug’s L

 
 
 
One Night Only

Original doesn’t always mean good and, to further go against most every review I’ve ever written, not all ‘Black Mirror-esque’ ideas necessarily make for great films. One Night Only is, however, an in

 
 
 
The End of Oak Street

The End of Oak Street is J.J. Abrams' next stab at Steven Spielberg homage after Super 8. Producing rather than directing this time around this film almost tries to present itself as the true, origina

 
 
 

Comments


 

THIS BLOG claims no credit for any images posted on this site unless otherwise noted. Images on this blog are copyright to its respectful owners. If there is an image appearing on this blog that belongs to you and do not wish for it appear on this site, please E-mail with a link to said image and it will be promptly removed.

 

© Copyright 2015 by Daniel Oldfield. Proudly created with Wix.com

bottom of page