top of page

28 Years Later: The Bone Temple

  • Jan 16
  • 2 min read

After waiting almost 28 years for a continuing of the franchise, 28 Years Later: The Bone Temple comes hot on the heels of its predecessor.

It’s an absolutely unhinged successor to the first film, providing a wild and visceral middle chapter to a trilogy which could have a very interesting ending.

Last year’s film felt fresh and different whilst still honouring what came before. The Bone Temple keeps us very much in that world but luxuriates in the gore, the horror and the metaphor of it all.

It’s both a positive and a negative. The lack of a central throughline and sense of plot momentum or set objective leaves the opening half of the film a little scattergun and potentially polarising.

We split time between following the horrific gang of ‘Jimmys’ we met at the end of the last film. Whilst the ‘elephant in the room’ of their costumes and names isn’t mentioned (in a possible deliberate ‘punk’ move to encourage the American audience to do further research on the film?) they’re a nasty bunch.

Much of this is a sickening and visceral cinematic experience, largely grim and perverse.

It’s cut with scenes of Dr Kelson continuing to experiment with ‘alpha zombie’ Samson. These can be surprisingly tranquil moments in comparison and Ralph Fiennes is again an absolute master and joy to spend time with.

Once the two cross paths the film kicks into high gear and we get a series of brilliant scenes.

From a philosophical chat to a soon to be iconic ‘dance’ sequence and an all timer of an ending, the film throws you on a wild climactic ride and everything clicks into place.

So it could alienate a few more ‘casual’ viewers and is deliberately nihilistic at points but, once the third film is released, this could become the ‘cult’ choice of the three.

⭐️⭐️⭐️⭐️

 
 
 

Recent Posts

See All
How to Make a Killing

How to Make a Killing is a great film but perhaps could have been an even better mini-series. Although, considering how TV is probably the more likely route these days for studios to go down, perhaps

 
 
 
Good Luck, Have Fun, Don't Die

Good Luck, Have Fun, Don’t Die might well take the award for ‘film title’ of the year if such a thing were to exist. Attention-grabbing, evocative, curious and weird, it rather sums up the film itself

 
 
 
Cold Storage

The 90-minute horror/comedy fills an important role in the film landscape. Sure, they’re rarely award winners, films to debate endlessly or even to watch more than once. But whether it’s a weekend wat

 
 
 

Comments


 

THIS BLOG claims no credit for any images posted on this site unless otherwise noted. Images on this blog are copyright to its respectful owners. If there is an image appearing on this blog that belongs to you and do not wish for it appear on this site, please E-mail with a link to said image and it will be promptly removed.

 

© Copyright 2015 by Daniel Oldfield. Proudly created with Wix.com

bottom of page