top of page

Mercy

  • Jan 28
  • 2 min read

Mercy is yet another example of a classic ‘Black Mirror’-esque concept.

On this occasion, perhaps Charlie Brooker and the gang could have done a slightly better job but it’s nonetheless a fun way to spend an evening in the cinema.

A sci-fi thriller with an action bent rather than the usual brainless action fodder, this sees Chris Pratt awaken in a ‘mercy court’ unaware of what he’s doing there.

In the future, this court is a 90 minute trial by AI lawyer where, if you can’t prove your innocence, you will be summarily executed.

It’s a strong concept and its ‘real time’ plot is its greatest strength.

Like the ‘computer as the screen’ films Searching and Missing before it, this plays out as a series of video calls, scrolling through phones and viewing videos and keeps you glued to the unfolding revelations.

It’s not all that visually with the pretty dull and colourless mercy room not offering too much pizzazz but Pratt and Rebecca Ferguson as the AI judge do a great job of keeping things moving and interesting.

It gets a little convoluted and perhaps a little unrealistic and it’s probably fair to say it twists maybe one too many times but it’s a pretty solid example of something different in the action genre.

These ‘real time, mainly one room’ thrillers are often great fun and top big crowd viewing whilst inevitably not holding the replay value or ‘cinematic greatness’ on offer elsewhere.

There’s certainly a place for them though and this is a top example of the form.

Ok, maybe it will be criticised for not quite having a true moral or political position given its subject matter and themes and the climactic lines of script are groan-inducing but this is a solid slice of thrilling entertainment nonetheless.

⭐️⭐️⭐️

 
 
 

Recent Posts

See All
How to Make a Killing

How to Make a Killing is a great film but perhaps could have been an even better mini-series. Although, considering how TV is probably the more likely route these days for studios to go down, perhaps

 
 
 
Good Luck, Have Fun, Don't Die

Good Luck, Have Fun, Don’t Die might well take the award for ‘film title’ of the year if such a thing were to exist. Attention-grabbing, evocative, curious and weird, it rather sums up the film itself

 
 
 
Cold Storage

The 90-minute horror/comedy fills an important role in the film landscape. Sure, they’re rarely award winners, films to debate endlessly or even to watch more than once. But whether it’s a weekend wat

 
 
 

Comments


 

THIS BLOG claims no credit for any images posted on this site unless otherwise noted. Images on this blog are copyright to its respectful owners. If there is an image appearing on this blog that belongs to you and do not wish for it appear on this site, please E-mail with a link to said image and it will be promptly removed.

 

© Copyright 2015 by Daniel Oldfield. Proudly created with Wix.com

bottom of page