top of page

Mission: Impossible - The Final Reckoning

May 27, 2025
2 min read

Updated: Aug 11

There’s more than a strong argument that the Mission: Impossible series is one of the best franchises out there (counting those that have gone beyond just a trilogy.)


What’s more unusual and surprising about this is not just that it’s a TV adaptation that’s totally eclipsed its source material, but that it’s actually got stronger as it’s gone on.


That’s been helped, no end, by having a consistent cast and director in Christopher McQuarrie across these past few instalments and the strength of these most recent five films is quite incredible.


The (supposedly) last in the franchise: The Final Reckoning (interestingly changed from Dead Reckoning Part 2) sees this series out in style if, indeed, this is the last we’ll see of Ethan Hunt and co.


Even bigger, even bolder, even crazier and even longer this doesn’t change the rule book and you know exactly what to expect.


Sure, you go through the usual waffle of exposition and nonsense to try to explain the glorious action set pieces and, arguably, this plot takes things just that little bit too far but who really cares?


In some ways, the first half isn’t even a real film and often just plays as a highlights reel of other films in the series. It’s actually pretty bizarre and extraordinary for a film of this magnitude.


But, when those set pieces come and you’re sat in the biggest and loudest cinema screen you can it’s like McQuarrie and Cruise are on a mission to single-handedly ‘save the cinema.’


It’s so absorbing, enthralling, dangerous and real and filmed with such craft and skill that you will gawp, stare, 'ooh' and 'ahh' whether you’re a cynic or not.


And this is, ultimately, why this series of films are so good. They just ‘are’ the cinema experience. Built specifically to munch popcorn and boggle the eyes.


Maybe The Final Reckoning is the ‘worst’ of the most recent five but in other ways makes the rest seem quaint in comparison to its scale.


Blockbuster cinema at its very best, again. Mission accepted.


⭐️⭐️⭐️⭐️

 
 
 

Recent Posts

See All
The Social Reckoning

I guess there’s a degree of irony in posting a positive review of The Social Reckoning onto social media and praising its pointed messaging. The ‘investigative journalism thriller’ is always a winner

 
 
 
Digger

Alejandro González Iñárritu is certainly not afraid of a big swing. Whilst it’s fair to say that Digger doesn’t get close to the heights of Birdman or The Revenant, its critical panning feels unusual,

 
 
 
Hope (2026)

You won’t have seen a film with as many contrasts as Na Hong-jin’s Hope. At once impeccably crafted and beautiful, but also batshit crazy and prone to toilet humour interludes. At times you can feel w

 
 
 

Comments


 

THIS BLOG claims no credit for any images posted on this site unless otherwise noted. Images on this blog are copyright to its respectful owners. If there is an image appearing on this blog that belongs to you and do not wish for it appear on this site, please E-mail with a link to said image and it will be promptly removed.

 

© Copyright 2015 by Daniel Oldfield. Proudly created with Wix.com

bottom of page