The Fabelmans

Nostalgia, reflection, family and the love of film, and cinema in particular, has been a theme in recent times.

Particularly post-pandemic, our greatest directors have seemingly been imploring people to return to the big screen.

Before screenings of his latest film: The Fabelmans, Steven Spielberg even has a little pre-recorded intro’ saying how special the cinema is and the part it still has to play in our lives.

The movie itself is a dramatised version of Spielberg’s own coming-of-age, his discovery of film and early passion for the medium, and a tribute, it seems, to his parents and siblings. It’s also a love letter to the movies in general.

Spielberg’s sentimental side is on full display here and this is a beautiful, effortless, somewhat melancholy but ultimately uplifting coming-of-age film that absolutely breezes through its two-and-a-half-hour runtime.

Incredible performances, heart-soaring moments and touching scripting abounds.

Whilst not quite chock full of standout ‘set pieces’ like the blockbusters that have placed him at the top table, this is a more personal film. An interesting family drama which shows a different side to the great man whilst still showing all the craft and ‘big film’ tendencies you’ve come to expect.

An illuminating glimpse into the early life of one of the best to ever do it but somewhat bittersweet to see a film so clearly focused on the past and what could be the first attempt at coming to terms with the end of a career.

A lovely film.

⭐️⭐️⭐️⭐️