top of page

The Holdovers

Of all of the delayed UK releases, The Holdovers may be the most affected in terms of box office take, down to the fact that it is ostensibly a Christmas movie.

Hopefully this is not the case though, and it’s stack of Oscar nom’s may just give it the shot in the arm it thoroughly deserves.

Because, rest assured, this is so much more than ‘just’ a ‘Christmas’ film. The quote marks are important there because I don’t want to devalue the ‘holiday film’ as a genre and also because what The Holdovers has to say about the season, and ourselves, is especially poignant.

Like Christmas itself, this film is unremittingly joyous in spite of everything. We may follow three lonely and tremendously sad individuals, moored at a boarding school over the festive break with cold, snowy vistas breaking up the brown and sepia seventies setting. Alcoholism, depression and loss are key themes and each character may not even end up truly happy by the time the credits roll.

But what these interactions prove and what Alexander Payne so masterfully presents to the viewer is that we, despite however different we may seem, are all so much alike. That the human spirit, with just a little coaxing, can always come roaring to the surface and just how much difference one act, one person, one thought, one feeling, one sentence can make to another.

The three central performances here are astounding: Da’Vine Joy Randolph is tipped for an Oscar for Supporting Actress and newcomer (!) Dominic Sessa is hard done by not to be talked about more for awards contention. Paul Giamatti though, in another winning linkup with Payne, soars in an absolutely masterful portrayal. Having to play the ‘Scrooge/Grinch’ role as the curmudgeonly stick-in-the-mud academic but always giving a glint of the soul beneath. Just a look is enough at points to make your eyes glisten.

I don’t want to say more for fear of ruining what is, like many of Payne’s previous films, and also those of the similar Richard Linklater, an absolutely heart warming talky drama that will leave you beaming. An anytime of the year classic.

⭐️⭐️⭐️⭐️⭐️

Recent Posts

See All

September 5

September 5 is another great addition to the always brilliant but generally underrated genre: the ‘journalism thriller.’ Telling the...

Flight Risk

If Flight Risk had come out in its spiritual home of the 1990’s there’s a chance it could now be regarded as a cult classic. A typically...

The Brutalist

It’s hard sometimes to judge or appraise something by virtue of it being ‘high art’ or ‘low art’ and there is value in every type of...

Comentarios


 

THIS BLOG claims no credit for any images posted on this site unless otherwise noted. Images on this blog are copyright to its respectful owners. If there is an image appearing on this blog that belongs to you and do not wish for it appear on this site, please E-mail with a link to said image and it will be promptly removed.

 

© Copyright 2015 by Daniel Oldfield. Proudly created with Wix.com

bottom of page